Paul Cézanne
Madame Cézanne mit dem Fächer
1879/88
Madame Cézanne à l'éventail
Öl auf Leinwand
92 x 73 cm
Rewald 606
John Rewald, The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vol., New York 1996. See also: The Paintings, Watercolors and Drawings of Paul Cézanne, An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash, www.cezannecatalogue.com
Provenienz
1Ambroise Vollard Paris Matisse, Cézanne, Picasso… L'aventure des Stein, (exh. cat.) Grand Palais, Paris 2011–12 etc., no. 119.
2Leo Stein & Gertrude Stein Paris • 1904–1913/14 Acquired from the above on 16 December 1904, for FF 300, exh. cat. as above, n. (1).
3Gertrude Stein Paris • Billignin • Culoz • 1913/14–1943 exh. cat. as above, n. (1).
4César de Hauke Paris • 1943 Acquired from the above in the second half of 1943, W. G. Rogers, When This You See Remember Me, Gertrude Stein in Person, New York & Toronto 1948, p. 189.
5Jacques Dubourg Paris • by 1952 AStEGB, Entry book I, 16 June 1952.
6Emil Bührle Zurich • 11 June 1952 until [d.] 28 November 1956 Acquired from the above by mid-June 1952, Entry book as above. A role of Dr. Fritz Nathan, Zurich, as an intermediary, is hinted at in AStEGB, Letter by Jacques Dubourg to Dr. Fritz Nathan, Zurich, 11 June 1952, asking Nathan to insure the painting.
7Given by the heirs of Emil Bührle to the Foundation E.G. Bührle Collection Zurich • 1960 Inv. 16.
AStEGB = Archive of the Foundation E.G. Bührle Collection, Zurich
John Rewald, The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vol., New York 1996. See also: The Paintings, Watercolors and Drawings of Paul Cézanne, An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash, www.cezannecatalogue.com
Ausstellungen
1904Sonderausstellung Paul Cézanne Kunstausstellung Paul Cassirer • Berlin • 1904 (no cat.).
19042ème Exposition Salle Paul Cézanne Salon d'Automne (Grand Palais) • Paris • 1904 no. 9.
1910Exposition Cézanne (1837[!]–1906) Galerie Bernheim-Jeune • Paris • 1910 no. 40.
1958Sammlung Emil G. Bührle, Festschrift zu Ehren von Emil G. Bührle zur Eröffnung des Kunsthaus-Neubaus und Katalog der Sammlung Emil G. Bührle Kunsthaus Zurich • 1958 no. 223.
1958Französische Malerei von Manet bis Matisse aus der Sammlung Emil G. Bührle/Zürich Nationalgalerie der ehemals Staatlichen Museen, Schloss Charlottenburg • Berlin • 1958 no. 52.
1958Hauptwerke der Sammlung Emil Georg Bührle–Zürich Haus der Kunst • Munich • 1958–59 no. 18.
1959De Géricault à Matisse, Chefs-d'œuvre français des collections suisses Petit Palais • Paris • 1959 no. 16.
1960Dem wiedereröffneten Museum Folkwang zum Gruss Museum Folkwang • Essen • 1960 no cat. no.
1961Masterpieces of French Painting from the Bührle Collection Royal Scottish Academy, Edinburgh • National Gallery, London • 1961 no. 32.
1964Chefs-d'œuvre des collections suisses de Manet à Picasso Exposition nationale suisse (Palais de Beaulieu) • Lausanne • 1964 no. 89.
1990The Passionate Eye, Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zurich, Catalogue of the Exhibition in Commemoration of the 100th Birthday of the Collector Emil G. Bührle National Gallery of Art, Washington, D.C. • Musée des beaux-arts de Montréal • Yokohama Museum of Art • Royal Academy of Arts, London • 1990–91 no. 39.
2010Van Gogh, Cézanne, Monet, Die Sammlung Bührle zu Gast im Kunsthaus Zürich Kunsthaus Zurich • 2010 no. 16.
2011Matisse, Cézanne, Picasso… L'aventure des Stein Grand Palais • Paris • 2011–12etc. no. 119.
2017Paul Cézanne, Le Chant de la terre Fondation Pierre Gianadda • Martigny • 2017 no. 86.
2018Bührle Collection: Impressionist Masterpieces from the E.G. Bührle Collection, Zurich (Switzerland) National Art Center, Tokyo • Kyushu National Museum, Fukuoka • Nagoya City Art Museum • 2018 no. 39.
Literatur
1914Walter Pach «The Point of View of the 'Moderns'», in Century Magazine (April) • 1914 • p. 862 (ill.).
1904Ambroise Vollard Paul Cézanne Paris • 1914 • fig. 45 (collage of paintings exhibited at the «Salon d'automne» 1904).
1930Joachim Gasquet Les albums d'art Druet, Cézanne, 24 Phototypies Paris • 1930 • [no. 7].
1933Fernande Olivier Picasso et ses amis Paris • 1933 • p. 102 (22001; German edition: Picasso und seine Freunde, Zurich 1982, p. 70 • English edition: Loving Picasso, The Private Journal of Fernande Olivier, New York 2001).
1933Gertrude Stein The Autobiography of Alice B. Toklas New York • 1933 • (& various translations and editions; Library of America [ed.], vol. 99, New York 1998, p. 690).
1936Lionello Venturi Cézanne, Son art, son œuvre Paris • 1936 • vol. 1, Texte, no. 369, vol. 2, Planches, fig. 101 (top left).
1936Ambroise Vollard Recollections of a Picture Dealer London & Boston • 1936 • p. 137 (French edition: Souvenirs d'un marchand de tableaux, Paris 1937, p. 154; 21948 • German editions: Erinnerungen eines Kunsthändlers, Kronstadt 1949; 2Frankfurt/Main & Zurich 1957, p. 53; 3Zurich 1980, p. 133; 41996).
1940Reginald Howard Wilenski Modern French Painters London • 1940 • pp. 213 (n. 1), 347 (21944; 31945; 41947).
1948W. G. Rogers When This You See Remember Me, Gertrude Stein in Person New York & Toronto • 1948 • p. 189 (2Indianapolis 1964; 31973).
1961Fritz Novotny Cézanne London • 1961 • fig. 17 (German edition: Cologne 1961).
1961Dr. Fritz Nathan und Dr. Peter Nathan, 25 Jahre 1936–1961 Winterthur • 1961 • pp. 44–45 (ill.).
1963Alfred Langer Paul Gauguin Leipzig • 1963 • fig. 7a (21965; Hungarian edition: Budapest 1964).
1963René Wehrli «Emil G. Bührle, Zurich, French Nineteenth-Century Paintings» in Great Private Collections Douglas Cooper (ed.) • New York • 1963 • p. 220.
1966Anne H. van Buren «Madame Cézanne's Fashions and the Dates of Her Portraits» in Art Quarterly (29) • 1966 • p. 117, fig. 5.
1968Frank Elgar Cézanne Paris • 1968 • fig. 39 (21988; English edition: London & New York 1969 & 1970; 21974 & 1975 • German edition: Stuttgart 1969 • Spanish edition: Barcelona 1969 • Portuguese edition: Lisbon 1974). ▪
1969Chuji Ikegami Cézanne [in Japanese] • Tokyo • 1969 • no. 15, fig. 15.
1970Alfonso Gatto • Sandra Orienti L'opera completa di Cézanne Milan • 1970 • fig. 14, no. 498 (ill.; 21979; English edition: Ian Dunlop, Sandra Orienti, The Complete Paintings of Cézanne, Middlesex & New York 1970; 21972; 31985 • German edition: Oskar Bätschmann, Sandra Orienti, Das Gesamtwerk von Cézanne, Lucerne etc. 1970 • Spanish edition: La obra pictórica completa de Cézanne, Barcelona 1970; 21977 • French edition: Sandra Orienti, Gaëtan Picon, Tout l'œuvre peint de Cézanne, Paris 1975; 21995).
1970Four Americans in Paris, The Collections of Gertrude Stein and Her Family (exh. cat.) • Museum of Modern Art • New York • 1970 • pp. 52, 63 (n. 3, n. 61), 89, 93, 95 (ill., the painting hanging at rue de Fleurus 27, 1906, 1913, 1914/15, 1922).
1970Wayne Andersen Cézanne's Portrait Drawings Cambridge (Massachusetts) & London • 1970 • p. 26, fig. 23.
1972Dr. Fritz Nathan und Dr. Peter Nathan, 1922–1972 Zurich • 1972 • no. 86 (ill.).
1973Leopold Reidemeister etc. Stiftung Sammlung Emil G. Bührle • Fondation Collection Emil G. Bührle • Foundation Emil G. Bührle Collection Zurich & Munich • 1973 • no. 53 (ill.; 21986).
1973Meyer Schapiro Paul Cézanne Paris • 1973 • p. 14 (ill.).
1974James R. Mellow Charmed Circle, Gertrude Stein and Company New York & Washington • 1974 • pp. 91, 451 (22003).
1975John Rewald «Some Entries for a New Catalogue Raisonné of Cézanne's Paintings» in Gazette des Beaux-Arts (6/86) • 1975 • pp. 161–162.
1977Nobuyuki Senzoku • Takeshi Kashiwa Cézanne [in Japanese] • Tokyo • 1977 • p. 85 (ill. bottom).
1984Peter Handke Die Lehre der Sainte-Victoire Frankfurt/Main • 1984 • p. 64.
1986John Rewald Cézanne, The Steins and Their Circle London • 1986 • pp. 11, 20, 36, 38, fig. 4, 14, 25, 26 (German edition: Cézanne und die Sammler Stein, Berne 1987, pp. 8, 10, 13, 34–35, fig. 4, 14, 25, 26).
1988The Art of Paul Gauguin (exh. cat.) • National Gallery of Art, Washington, D.C. etc. • 1988 • p. 192, entry for cat. no. 111 (ill. lower left; French edition: Gauguin, [exh. cat.] Grand Palais, Paris, p. 201, ill. lower right).
1989John Rewald Cézanne and America: Dealers, Collectors, Artists and Critics 1891–1921 Princeton • 1989 • pp. 55–56, 63, 72, 85, nn. 44, 93–94, fig. 46, 59, V.
1994Emil Maurer Stiftung Sammlung E.G. Bührle, Zürich Bern • 1994 • pp. 10, 12 (ill.: English edition: Foundation E.G. Bührle Collection, Zurich, Bern 1995).
1995Robert Boardingham «Cézanne and the 1904 Salon d'Automne, 'Un chef d'une école nouvelle'» in Apollo (October) • 1995 • pp. 33, 38, fig. 3.
1995Walter Feilchenfeldt «Cézanne's Collectors, From Zola to Annenberg» in Cézanne (exh. cat.) • Philadelphia Museum of Art etc. • 1995 • p. 578 (French edition: Paul Cézanne, Une rétrospective, Grand Palais, Paris • German edition: Walter Feilchenfeldt, «Cézannes Sammler, Von Zola bis Annenberg», in «By Appointment Only», Schriften zu Kunst und Kunsthandel, Cézanne und van Gogh, Wädenswil 2005, pp. 177 [ill.], 194).
1996John Rewald The Paintings of Paul Cézanne, A Catalogue Raisonné London & New York • 1996 • vol. 1, no. 606; vol. 2, fig. 606.
1998Christian Bührle «Die Stiftung Sammlung Emil G. Bührle in Zürich» in Die Kunst zu sammeln, Schweizer Kunstsammlungen seit 1848 • L'art de collectionner, Collections d'art en Suisse depuis 1848 • L'arte di collezionare, Collezioni svizzere d'arte dal 1848 Swiss Institute for Art Research (ed.) • Zurich •1998 • p. 136.
2000Annie Cohen-Solal «Un jour ils auront des peintres», L'avènement des peintres américains, Paris 1867–New York 1948 Paris • 2000 • p. 235 (English edition: Painting American, The Rise of American Artists, Paris 1867–New York 1948, New York 2001).
2000Mary Tompkins Lewis Cézanne London • 2000 • p. 235, fig. 142.
2004Elizabeth Cowling Picasso, Style and Meaning London & New York • 2002 • p. 157, fig. 133.
2004Felix A. Baumann «Frauenbildnisse» in Cézanne, Aufbruch in die Moderne (exh. cat.) • Museum Folkwang • Essen • 2004 • pp. 32, 34 (ill.), 36.
2004Lukas Gloor, Marco Goldin (ed.) Foundation E.G. Bührle Collection, Zurich, Catalogue vol. 3 • Conegliano & Zurich • 2004 • no. 112 (ill.; German edition: Stiftung Sammlung E.G. Bührle, Katalog • Italian edition: Fondazione Collezione E.G. Bührle, Catalogo).
2005Lukas Gloor «Portrait of a Lady» in Die Kunst des Handelns, Meisterwerke des 14. bis 18. Jahrhunderts bei Fritz und Peter Nathan (exh.cat.) • Kunsthalle Tübingen • 2005 • pp. 192 (ill.)–201.
2007Francesca Bardazzi «Cézanne a Firenze» in Cézanne a Firenze, Due collezionisti e la mostra dell'Impressionismo del 1910 (exh. cat.) • Palazzo Strozzi • Florence • 2007 • pp. 19, 29 (n. 55), 96.
2007Vincent Giroud «Picasso and Gertrude Stein» inMetropolitan Museum of Art Bulletin (Winter) • 2007 • pp. 12, 18, 48, fig. 8.
2008Ruth Butler Hidden in the Shadows of the Master, The Model-Wives of Cézanne, Monet and Rodin New Haven & London • 2008 • pp. 49 (ill.)–50, 52.
2008Dianne Sachko Macleod Enchanted Lives, Enchanted Objects, American Women Collectors and the Making of Culture, 1800–1940 Berkley etc. • 2008 • p. 181.
2009Dominique Saint-Pierre Gertrude Stein, le Bugey, la guerre, d'août 1924 à décembre 1944 Bourg-en-Bresse • 2009 • pp. 121, 201, 255–257 (ill.; n. 610, n. 611), 367.
2009Susan Sidlauskas Cézanne's Other, The Portraits of Hortense Berkley etc. • 2009 • pp. 4, 134, 136, 149, 180, 214, 293, fig. 2.
2010Gary Tinterow «[entry for cat. no.] 38. Gertrude Stein» in Picasso in the Metropolitan Museum of Art New York etc. • 2010 • pp. 109–110, fig. 38.3.
2011B. Echte • W. Feilchenfeldt (eds.) «Man steht da und staunt», Kunstsalon Paul Cassirer, Die Ausstellungen 1901–1905 Wädenswil • 2011 • pp. 504 (ill.), 520.
2011J. Bishop etc. (ed.) The Steins Collect, Matisse, Picasso, and the Parisian Avant-Garde New Haven & London • 2011 • no. 10 (ill.).
2012Alex Danchev Cézanne, A Life London • 2012 • pp. 177–178, fig. 39.
2013Claudia Albes Erzählen, Argumentieren, Beschreiben, Zur Theorie und Interpretation moderner Prosatexte am Beispiel von Peter HandkesLehre der Sainte-Victoire • Trier • 2013 • p. 213.
2013Maria Teresa Benedetti «Gli artisti italiani e Cézanne» in Cézanne e gli artisti italiani del '900 (exh. cat.) • Complesso del Vittoriano • Rome • 2013 • p. 39, fig.23.
2014Peter Kropmanns «Cézanne, Gauguin, Van Gogh, Matisse and the Fauves: Exhibitions of French Modernism in Berlin, Dresden, and Munich, 1904–1909» in Expressionism in Germany and France, From Van Gogh to Kandinsky (exh. cat.) • Los Angeles County Museum of Art etc. • 2014–15 • p. 166 (ill.).
2014Charlotte Hale «A Template for Experimentation, Cézanne's Process and the Paintings of Hortense Fiquet» in Dita Amory (ed.), Madame Cézanne New Haven & London • 2014 • p. 65, fig. 33 (detail).
2014Hilary Spurling «Cézanne and Matisse Paint Their Wives» in Dita Amory (ed.), Madame Cézanne New Haven & London • 2014 • p. 157, fig. 69.
2014Kathrin Kremnitzer «The Portraits of Hortense Fiquet, Madame Cézanne» in Dita Amory (ed.), Madame Cézanne New Haven & London • 2014 • p. 26, fig. 6, pp. 195(ill.)–196.
2017Sébastien Chauffour «Selling French Modern Art on the American Market: César de Hauke as Agent of Jacques Seligmann & Co., 1925–1940» in Dealing Art on Both Sides of the Atlantic, 1860–1940 Lynn Catterson (ed.) • Leiden & Boston 2017 • p. 242 (n.60).
2019Ulla HaselsteinGertrude Steins literarische Porträts Constance • 2019 • pp. 32–37.
2021Lukas Gloor «The Holdings of the Emil Bührle Collection: Illustrated List of All 633 Purchases» in The Emil Bührle Collection: History, Full Catalogue and 70 Masterpieces Swiss Institute for Art Research, Zurich (ed.) • Munich • 2021 • no. 240 (ill.).