Provenance
1Javier Goya 1812 until [d.] 1854 The artist's son, Goya, génie d'avant-garde, Le maître et son école, (exh. cat.) Musée des Beaux-Arts, Agen 2019–20, p. 189.
2Mariano Goya1854 until ca. 1855 Son of the above, exh. cat. as above, n. (1).
3José Marqués de Salamanca ca. 1855–1875 Acquired from the above, exh. cat. as above, n. (1); Collection Salamanca, Tableaux anciens des écoles Espagnoles ... (sale cat.) Hôtel Drouot, Paris (25–26 January 1875), no. 14.
4Henri Bamberger Paris 1875 until [d.] 1908 Acquired at the above sale, exh. cat. as above, n. (1).
5The descendants of Henri Bamberger 1875 until ca. 1920 Exh. cat. as above, n. (1).
6Marcel Nicolle Paris 1920 until before 1925 Art dealer, exh. cat. as above, n. (1).
7Baron Louis Van der Heyden à Hauzeur Paris • by 1925 until [d.] 1952 Exh. cat. as above, n. (1).
8Hélène Candida Berry (née Hay), Viscountess Kemsley 1952–1955 Niece of the above, by inheritance, exh. cat. as above, n. (1); AStEGB, File on letterhead of Marlborough Fine Art Ltd., London, n. d. [ca. June 1955], with detailed information regarding 10 paintings, including Goya, Procession.
9Marlborough Fine Art Ltd. London • by 1955 Acquired from the above, Information given by Marlborough International Fine Art to Foundation E.G. Bührle Collection, 24 August 2012, and AStEGB, Letter from F. K. Lloyd, Marlborough Fine Art Ltd., London, to Emil Bührle, 23 July 1954, suggesting that Bührle view the painting in Paris.
10Emil Bührle Zurich • 27 June 1955 until [d.] 28 November 1956 Acquired from the above for £ 45.000 (= CHF 540.000), AStEGB, Price list, handwritten by Emil Bührle and containing the names of 5 artists, including Goya; the Price list was drawn up for a group of Old Master paintings whose purchase Bührle was negotiating with Frank Lloyd from Marlborough Fine Art Ltd., London; that part of the purchase came to £ 60.000 (= CHF 720.000) and included Boucher's Deux paysannes, Courbet's Portrait of a Man, and Ochtervelt's Backgammon Players (all now in the Emil Bührle Collection, Inv. 122, 24, 155); AStEGB, Entry Book II, 27 June 1955, lists part of these paintings, along with a group of 4 drawings by Picasso which Bührle acquired around the same time.
11Given by the heirs of Emil Bührle to the Foundation E.G. Bührle Collection Zurich • 1960 Inv. 140.
AStEGB = Archive of the Foundation E.G. Bührle Collection, Zurich
Exhibitions
1920Exhibition of Spanish Paintings Royal Academy of Arts • London • 1920–21 no. 129a.
1925Exposition d'art ancien espagnol organisée par la Demeure historique Hôtel Jean Charpentier • Paris • 1925 no. 30.
1958Sammlung Emil G. Bührle, Festschrift zu Ehren von Emil G. Bührle zur Eröffnung des Kunsthaus-Neubaus und Katalog der Sammlung Emil G. Bührle Kunsthaus Zurich • 1958 no. 98.
1959Die Handschrift des Künstlers (13. Ruhrfestspiele) Kunsthalle Recklinghausen • 1959 no. 116.
1990The Passionate Eye, Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zurich, Catalogue of the Exhibition in Commemoration of the 100th Birthday of the Collector Emil G. Bührle National Gallery of Art, Washington, D.C. • Musée des beaux-arts de Montréal • Yokohama Museum of Art • Royal Academy of Arts, London • 1990–91 no. 11.
2010Van Gogh, Cézanne, Monet, Die Sammlung Bührle zu Gast im Kunsthaus Zürich Kunsthaus Zurich • 2010 no. 140.
2020Goya, génie d'avant-garde, Le maître et son école Musée des Beaux-Arts • Agen • 2020 no. 23.
References
1902Paul Lafond Goya Paris • 1902 • p. 78.
1903Valerian von Loga Francisco de GoyaBerlin • 1903 • p. 211, no. 426 (21921, p. 209, no. 426).
1923August L. Mayer Francisco de Goya Munich • 1923 • no. 536 (English edition: London & Toronto 1924; Spanish edition: Barcelona & Buenos Aires 1925).
1925Xavier Desparmet Fitz-Gerald «Une exposition d'art ancien espagnol» in L'Amour de l'art (6) 1925 • pp. 279–280.
1928Xavier Desparmet Fitz-Gerald L'Œuvre peint de Goya Paris • 1928–50 • Texte, vol. 1, no. 267; Planches, sujets de genre, vol. 1, fig. 214.
1958Juan Antonio Gaya NuñoLa pintura española fuera de España Madrid 1958, no. 1112.
1959René Elvin «Collector Extraordinary: The Bührle Collection and the New Zurich Kunsthaus» in The Studio (158) • August/September 1959 • p. 52.
1964Jutta Held Farbe und Licht in Goyas Malerei Berlin • 1964 • pp. 191–192.
1965José Gudiol «Paintings by Goya in the Buenos Aires Museum» in Burlington Magazine (vol. 107, no. 742) • January 1965 • pp. 10–16.
1970José Gudiol Goya, 1746–1828, Biografía, estudio analítico y análisis de sus pinturas Barcelona 1970 (French edition: Goya 1746–1828, Biographie, analyse critique et catalogue des peintures, Paris 1970, vol. 1, no. 668; vol. 4, 1806–1828, planches, fig. 1084, 1085 (detail), 1086 (detail] • English edition: Goya 1746–1828, Biography, Analytical Study and Catalogue of His Paintings, New York 1971).
1970Pierre Gassier • Juliet Wilson Vie et œuvre de Francisco Goya Fribourg • 1970 • p. 249 (ill.), no. 952 (ill.; 21978; English edition: The Life and Complete Work of Francisco de Goya, With a Catalogue Raisonné of the Paintings, Drawings and Engravings, New York 1971; 21981; 31994; German edition: Goya, Leben und Werk, Frankfurt etc. 1971).
1973Leopold Reidemeister etc. Stiftung Sammlung Emil G. Bührle / Fondation Collection Emil G. Bührle / Foundation Emil G. Bührle Collection Zurich & Munich • 1973 • no. 143 (ill.;21986).
1974Rita De Angelis L'opera pittorica completa di Goya Milan • 1974 • no. 534 (ill.; 21981; German edition: Das gemalte Gesamtwerk von Goya, Lucerne etc. 1974; French edition: Tout l'œuvre peint de Goya, Paris 1976; 21990)
1975Marianne Haraszti Takács «Scènes de genre de Goya à la vente de la collection Kaunitz en 1820» in Bulletin du Musée Hongrois des Beaux-Arts (44) • 1975 • pp. 109–110.
1976Rita de AngelisTout l'œuvre peint par Goya Paris • 1976 • no. 534.
1982José Camón Aznar Francisco de Goya vol. 4 1812–1828 Saragossa • 1982 • p. 106.
1994Emil Maurer Stiftung Sammlung E.G. Bührle, Zürich Bern • 1994 • pp. 28 (ill.)–29 (English edition: Foundation E.G. Bührle Collection, Zurich, Bern 1995).
1994José Luis Morales y Marín Goya, Catálogo de la pintura Saragossa • 1994 • no. 408 (ill.).
1996Juliet Wilson-Bareau «Goya and the X Numbers: The 1812 Inventory and Early Acquisitions of "Goya" Pictures» in Metropolitan Museum Journal (31) • 1996 • pp. 159–174, fig. 13.
1997Juliet Wilson-Bareau «Goya pintor aragonés: antecedentes, coincidencias e influencias» in Francisco de Goya y Lucientes, su obra y su tiempo Saragossa • 1993 • pp. 41–42.
2005Lukas Gloor • Marco Goldin (ed.) Foundation E.G. Bührle Collection, Zurich, Catalogue vol. 1 • Conegliano & Zurich • 2005 • no. 7 (ill.; German edition: Stiftung Sammlung E.G. Bührle, Katalog; Italian edition: Fondazione Collezione E.G. Bührle, Catalogo).
2008Juliet Wilson-Bareau «"Aprende a ver", Hacia un mejor entendimiento del inventario de 1812 y de la obra de Goya» in Goya en tiempos de guerra (exh. cat.) Prado • Madrid • 2008 • p. 47.
2010Ricardo Usón García Fantasía y razón, La arquitectura en la obra de Franciso Goya Madrid • 2010 • p. 102 (ill.).
2021Lukas Gloor «The Holdings of the Emil Bührle Collection: Illustrated List of All 633 Purchases» in The Emil Bührle Collection: History, Full Catalogue and 70 Masterpieces Swiss Institute for Art Research, Zurich (ed.) • Munich • 2021 • no. 447 (ill.).